Bummer

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Today’s audience might find MARTY dated, but if you have any sense of movies of the fifties you’ll see just how groundbreaking MARTY was. Paddy Chayefsky’s TV hit was adapted for film and was an award-winning hit. Then as now, its subject matter is one rarely dealt with in entertainment media: the loneliness of unattractive people.

Chayefsky’s dialogue is still vivid and interesting, and it’s clear he was an influence on Aaron Sorkin. But Delbert Mann’s direction and Joseph Lashelle’s photography are impressive, with location photography and long takes that build a sense of emptiness of Marty’s world. This is a gentle but straightforward look at middle-class lives that aren’t usually featured in fifties Hollywood flicks.

A good flick, just keep the guns locked up.

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Published by

John Stephen Walsh

Writer of neo-noir (The Ruthless Son), end of the world/quasi-zombie horror (The Year of Silent Light), humor (Ebollionaire), and a short story collection (Love Has A Taste) on Kindle. Have worked in social services, retail, video, etc. etc. I love movies, film scores, and painting poorly.